I like the line of action and balance ideas we worked on in the side pose.
Introducling a slight twist through the body controllers would tilt his shoulders and relieve the risk of the pose being too symmetrical with the arms formig similar shapes on bioth sides of the body.
I like the sharp angled bent elbows. They contrast well to the curved spine and as a secondary action gesture communicate Max's anger.
Tilting Max's head to the side of the higher shoulder will make his head posture more intense (like the creepy head tilts vampyre's or crows do when they are watching something that they might eat).
You have applied the animator's secret weapon of exaggeration with the Max pose being stronger and more creative than the pose captured in the acting session.
Great pose Trent. I like how you included the different angles.
ReplyDeleteI like the line of action and balance ideas we worked on in the side pose.
ReplyDeleteIntroducling a slight twist through the body controllers would tilt his shoulders and relieve the risk of the pose being too symmetrical with the arms formig similar shapes on bioth sides of the body.
I like the sharp angled bent elbows. They contrast well to the curved spine and as a secondary action gesture communicate Max's anger.
Tilting Max's head to the side of the higher shoulder will make his head posture more intense (like the creepy head tilts vampyre's or crows do when they are watching something that they might eat).
You have applied the animator's secret weapon of exaggeration with the Max pose being stronger and more creative than the pose captured in the acting session.